Wednesday, September 5, 2018

Analyzing the Nomad

Jack Monroe. He has gone by many names. Bucky. Nomad. Scourge. But he is best known for being the 3rd Nomad and sidekick of Captain America for over a year in the 1980s. But Jack Monroe's story starts 30 years before he became Cap's partner. In 1953-1954, Captain America stories, were published  and written by Stan Lee and illustrated by Mort Lawrence and John Romita, Sr., and supposedly starred Steve Rogers (the original Captain America) and Bucky and were clearly set in the 1950s, with the duo prominently battling communism and a communist Red Skull. However, when the character returned in Avengers #4 (March 1964), it is revealed that the original Captain America has been in a state of suspended animation since a battle he fought near the close of World War II, a battle in which Bucky Barnes perished. So who were the Captain America and Bucky in the 1950s? The 1950s stories were thus considered outside of official canon until in 1972's Captain America #153–156. 

Jack Monroe and William Burnside, who had been operating together for some time as Bucky and Captain America, respectively, were placed in suspended animation. The two superheroes were reawakened decades after being put in said suspended animation. In their delusional state, the man and teenager were the 1950s Captain America and Bucky, and attempted to kill the original Captain America and new partner The Falcon. However they are eventually captured and returned to a state of suspended animation. 

The formula that initially granted the original Captain America (Steve Rogers), his abilities granted Burnside and Monroe their abilities. However, the formula made no mention of the essential Vita-ray exposure portion of the treatment and the absence caused its effects to eventually give them psychotic symptoms.Monroe was subsequently taken into S.H.I.E.L.D. custody and seemingly cured of his psychotic symptoms, but Burnside was not as lucky. Monroe would later become Steve Roger's partner and ally, but would abandon his spandex and become a urban vigilante, going solo, fighting criminals superheroes wouldn't.    



COME BACK NEXT WEDNESDAY FOR PART II OF ANALYZING THE NOMAD! 

Criticism of Superhero Cinema